This week, the good people at Inhabit did an in-depth profile on our collaboration with The Corcoran Group for this stunning New York townhouse at North 1st Street. Read Alex Ronan's story outlining how this extraordinary, one of a kind property came to life.
The Inhabit story is here. More information about our Reclaimed Heart Pine floors is here.
Custom mood board by architect Amee Allsop, created for The Hudson Company. Photo set by Gentl and Hyers.
“Growing up in Australia gave me a love for the sea and the indoor/outdoor lifestyle; since it is such a young country it is not bound by many archetypes. It was there that I learned to find beauty primarily in functional forms, rather than in decoration.”
This year, The Hudson Company has been closely following the inspiring work of New York based, Australian-bred architect Amee Allsop.
As you can see from the photos above, Amee has a distinct approach to architecture which she describes as 'an amalgamation of the city and the sea' - a theme she has developed as her career has taken her from the South Pacific coastline to New York City. With design experience in these two juxtaposed contexts, Amee is continually inspired by the contrast of wide open landscape and dense verticality.
With each architectural endeavor, Amee's design process considers space, proportion, light and materiality whilst working closely with the client and building site. For Amee, quality materials and craftsmanship are both of central importance so that her designed spaces do not feel 'disposable' but, rather, timeless and inspiring. In the spirit of Australian living, Amee's work elevate the simple and beautiful essentials of living - such as a bathtub in an open bedroom - and embodies a minimal lifestyle, rich in tactual details.
This summer we asked Amee to create a custom mood board for us and then share some insights into her creative process as well. Here are our 5 Questions with Amee Allsop...
Tell us about the items included in your mood board, what's their origin story? And, is there one item that's a favorite?
The origin of these materials is, for the most part, a mystery to me. And I think that is really what makes them so beautiful to me. Mostly, they are found objects: a lump of concrete right off the street, a sample of metal work from a SOHO workshop, some shelled walnuts from the corner store, a few elegant bits from the art supply shop, and then there's this gorgeous handmade copper spoon (which I've always been so curious about).
But my favorite object has to be the photo of my son’s squishy bum. The photo was taken when he was newborn and it sits on my desk and reminds me that everything I do is not for me, it’s for the future.
How do you use mood boards in your professional work?
Honestly, I don’t always use mood boards when I'm designing because materiality tends to evolve over the course of a project. But there is always a need for a starting point, and so, in putting together a mood board for The Hudson Company, it all started with the wood flooring sample.
In my work, I tend to use contrasting materials in a way that makes them feel like they belong together: raw steel with smooth marble, copper and linen, walnut and oak. I feel like it's a way to use tension to create harmony. For this mood board concept, I was drawn to the character of this Select Harvest White Oak [Capella Finish] and how it was perfectly imperfect.
There are so many places to go for inspiration these days: books, blogs, Tumblr, Pinterest, etc. What sources do you typically or consistently turn to?
That's true, these days, there are almost too many places to go for inspiration. So, the challenge becomes about reduction. When it comes to things that inspire me on a regular basis, I’m often surprised and challenged by tailored clothes and personal style, by the arts and also by traveling.
I recently travelled to Scandinavia and was inspired by the street lamps, signage, and grate drains in the streets there - they stood out to me because they were so different to what we have here in NYC. It those little things that you don’t see photos of on the internet everyday that tend to catch my eye and challenge me to think in a new way.
When it comes to design, how do you feel your Australian background has influenced you?
Growing up in Australia gave me a love for the sea and the indoor/outdoor lifestyle; since it is such a young country it is not bound by many archetypes. It was there that I learned to find beauty primarily in functional forms, rather than in decoration. And yet, this is really contrasted with the New York City aesthetic and its history of industrial ornamentation, which is also so inspiring. I suppose I’m still on an ever-evolving journey of finding the harmony between 'The City and The Sea.'
Why did you chose this particular Hudson Company flooring as the background for mood board?
When I visited The Hudson Company Showroom in Brooklyn, this particular flooring was just begging to be touched. When I first noticed it, I didn't know anything about the Select Harvest White Oak [Capella Finish] but it looked to me like it was from some really old tree that had had a good, long life and now was given a new life as a carefully crafted and functional object.
You can learn more about Amee work on her website and you can follow her creative journey on Instagram. All Amee Allsop Studio photos provided by Amee herself. All mood board photos by Gentl and Hyers.
Learn more about Select Harvest White Oak [Capella Finish] here.
All photos by Evan Joseph. Used with kind permission.
This year, The Hudson Company was proud to provide 2,000 square feet of ¾” x 7” Reclaimed Heart Pine [New Face] and 1,600 square feet of ¾” x 4” x 24” Reclaimed Heart Pine Herringbone [New Face] to this stunning Brooklyn townhouse project. This source material for this project was reclaimed from the New York City area (some of which was salvaged from a nearby Domino Sugar factory that had recently been decommissioned). All of the reclaimed wood flooring was site finished.
According to Jeff Lorenz, one of the project's principals, the use of natural-tone woods was a central design goal, 'We set out to create a very natural, warm feeling home. We used a lot of wood between our floors and extensive millwork package. With both, we tried to showcase the materials natural beauty by keeping stains and finishes to an absolute minimum.' Unlike a typical 'owner-driven' design program, this residential development, designed by architect Will Corcoran, was built in anticipation of a future tenant. 'This home was a true labor of love,' says Lorenz, 'we set out to build our dream home in the hopes that the end user would appreciate the extensive material sourcing and craftsmanship.'
From the very beginning, sustainable material sourcing was important to the project. 'We are located in Williamsburg, Brooklyn,' explains Lorenz, 'and one of the neighborhoods most iconic buildings is the Domino Sugar factory. When we learned that we could incorporate material salvaged from such an historic place we knew we had to do it. People's reaction to this part of the project has been truly remarkable.'
When all was said and done, the finished home was a profound success - the result of the dedication of numerous creative teams and craftspeople; from the design to the intricate tile and iron work to the beautiful Henrybuilt cabinetry. According to Lorenz, a successful collaboration with The Hudson Company was also a central part of what helped bring the project together, 'Working with Hudson was a great experience; when we came up a bit short of flooring material, they turned around what we needed in no time. When we decided we wanted to make a special 1" x 1" baseboard out of the same flooring material, The Hudson Company milled it down, no problems.'
Now that the project is finished, the only question that we have is, 'when can we move in?'
You can learn more about Reclaimed Heart Pine here or get a quote for your next project here. All photos by Evan Joseph, used with kind permission.
All photos by Evan Joseph. Used with kind permission.
Define Magazine, founded by designer Amanda Jane Jones
“Define came out of what felt like a need. There were so many artists that I collaborate with who talked about wanting more opportunities to create work just for the sake of creating.”
The designer at home.
A peak inside Define Magazine.
Amanda Jane Jones is a award-winning, freelance graphic designer and art director based in Chicago, IL but currently living with her family in Geneva, Switzerland. During her career, Amanda has collaborated with a variety of creative brands, including VSCO, Solly Baby, Kinfolk Magazine (as co-founder), and Artifact Uprising. Amanda's current passion project is the elegant new creative quarterly, Define Magazine.
When we asked Amanda to create a custom mood board for our ongoing series of creative collaborations, we knew it would be be a gorgeous, minimalist's meditation on color and simplicity. In this, we certainly weren't disappointed. But it's the story behind the items that Amanda chose to feature in her mood board that are especially fascinating: photos of her children, Pantone color swatches, and skipping stones from the shores of Lake Michigan.
Here is the story behind Amanda's lovely mood board for The Hudson Company...
Tell us about the items included in your mood board, what's their origin story? Why did you select them for this mood board?
I'm always looking for calming influences in my life and strive for my home to be minimal, quiet, simple and calming. And since we live just a quick walk away from Lake Michigan (where I vacationed as a child with my family) I often take my children there throughout the year. The colors of the lake have always inspired me. Every time I visit the lake, I come home with at least one rock that we keep in jars on our bookshelves. The homes along Lake Michigan - especially in the Glen Arbor area - have always inspired me as well, with their white-washed wood exteriors. The Lake brings back peaceful, happy, calm memories. If the kids (or I) are ever grumpy or in a slump of some sort, the Lake is the first place we visit - the wind coming off of Lake Michigan seems to cure all.
How do you use mood boards in your professional work? What role do they play in your creative process?
I utilize a lot of mood boards in my work. It's a huge part of my design process. I start with brainstorming, looking through my collection of books to get ideas. I also have an inspiration wall at home that I love to cover with ephemera I've collected from my travels or received from friends.
Tell us about your inspiration for Define Magazine: where did the concept come from and what inspired you to create this publication?
Define came out of what felt like a need. There were so many artists that I collaborate with who talked about wanting more opportunities to create work just for the sake of creating. It's hard to make time for personal work amid the day to day of creating for clients - so it was born out of an idea to create a space for artists to feel free to create for the sake of creating.
From my own experience, I know that artists hunger to work on projects uninhibited by the client filter and we jump at a chance to collaborate with other artists on a global scale—to make something beautiful and thought-provoking. The basis of Define is simple: each issue focuses on a single word defined by a unique set of artists through various mediums.
So far it's been exciting to see artists explore the same theme through different perspectives. We hope it's a magazine that resonates with both artists and art lovers, so that we are able to accumulate a collection of definitions that create a beautiful anthology to be enjoyed and re-defined for years to come
Are there specific places that you turn when you need fresh ideas or inspiration? Particular books, other creative people, blogs, etc.?
When I'm in a design slump, I always go for a walk. Fresh air is always a quick fix. Also, books - both old and new. I don't think you can ever have too many books. Oh, and I love Maira Kalman - she's an endless inspiration to me.
Why did you chose this particular Hudson Company flooring as the background for mood board?
With Select Harvest Ash [Neva Finish], I love how white it is - the color is just perfect. Again, there's something calming about this kind of floor and so I'm naturally drawn to the tone and fell of Neva. At home, we recently painted our kitchen floor white and I love how it's brightened our space.
You can learn more about Amanda Jane's work on her website and you will certainly want to follow her on Instagram as well. Here you can learn more about Define Magazine. All mood board photos by Gentl and Hyers.
Learn more about Select Harvest [Neva Finish] here.
![Custom mood board by designer Amanda Jane Jones for The Hudson Company, featuring Select Harvest Ash [Neva Finish] flooring.](https://images.squarespace-cdn.com/content/v1/544e3a5ce4b0117bc5e24e56/1469459511300-JCOA35701YL5GUHQVETT/image-asset.jpeg)
Custom mood board by designer Amanda Jane Jones for The Hudson Company, featuring Select Harvest Ash [Neva Finish] flooring.
Stylist and creative director Tereasa Surratt
“Like the objects I selected to lay over the planks, this flooring had humble beginnings. But over time, it’s developed this kind of mysterious, timeless patina. This wood is a remnant from another time, and, yet, in it’s own way, it’s more intriguing than ever.”
Tereasa Surratt and David Hernandez at Camp Wandawega.
Historic Camp Wandawega, in Walworth County, Wisconsin.
A peak inside Camp Wandawega's reclaimed wood treehouse.
Tereasa Surratt is a woman who wears many hats. Self-described as, 'an indecisive hybrid: part creative director, part designer, part stylist, part author, part brand builder.' Surratt admits to living with a daily struggle, 'an obsession to make everything around her more interesting, beautiful, and desirable.' This energetic obsession has proved a fruitful tool for Tereasa, who has developed partnerships and award-winning creative campaigns for a variety of brands over the years, including Warby Parker, Penfield Manufacturing Co., FLOR, Land of Nod, GANT, and Anthropologie.
But the creative endeavor closest to Tereasa's heart is her work to save, renovate, and revitalize Camp Wandawega, the historic summer retreat in Walworth County, Wisconsin that Surratt operates together with her husband David Hernandez. Impeccably restored, endlessly Instagram-able, and ever evolving, through David and Tereasa's love and care, Camp Wandawega has become an essential destination for all manner of creative types passing through the Chicagoland area.
This year, we reached out to Tereasa and asked her to create a custom mood board featuring items that inspire her. Then we asked her to combine those items with the Hudson Company wood of her choice. Here's the story behind Tereasa's mood board.
Tell us about the items included in your mood board, what's their origin story? Why did you select them for this mood board?
This is a collection of artifacts sourced from either our collection at Camp Wandawega, or things I discovered at area barn or estate sales. They are generally what I call 'history scraps,' items that were never intended to last forever. They're common kinds of things - postcards, handwritten notes, branded ash trays, mattress tags, a length of leather - these are objects that each served modest tasks. I'm more than a little obsessed with these kinds of little things, with their humble, utilitarian beauty and the way that they've survived the decades.
Are there any particular favorites that stand out or are especially endeared to you?
It's the little things that always get to me; like the color of the vintage, chewed up pencil in this mood board. This particular shade of ochre was really popular in the 1940s and could be found on everything from tractors to coffee cans. We are building a house at camp and are seriously considering creating a line of modern chairs in this vintage color. When juxtaposed with the new building's concrete floors and minimalist white interiors, the use of this color could be a subtle nod to a much different time in America's design history.
How do you use mood boards in your professional work? What role do they play in your creative process?
Whenever I'm working on a new project, I collect things subconsciously over the course of a few weeks. Eventually, my little inspirational piles evolve into something important, something that reveals meaningful textures, colors, and themes. I find that when I use this creative method, the result is always more authentic and more honest.
Where do you turn when you need fresh ideas or inspiration?
Of course, there are a lot of gorgeous blogs out there that are full of inspiring content. But more often than not, I find myself drawn to real life, specifically to people's homes. There's something about the objects and art and materials in a living, working house that is just irresistible for me. Whether that's Thomas Edison's Winter Estate down in Fort Myers or the rugged, preserved homesteads at 'Old World Wisconsin' - I have always been drawn to the forms and functions of domestic life. Also, old 1960s issues of Architectural Digest, Better Homes & Gardens and vintage, out of print books are a great source for ideas and creative presidents.
Why did you choose Reclaimed Threshing Floor as the background for your mood board?
Everything we do at Camp is connected with history. Now that we're listed on the National Register of Historic Places, that's more true than ever before. So, to try and connect Camp artifacts with some glossy, mass produced floors just wouldn't work. With Reclaimed Threshing Floor, there is so much history right there in the wood grain. The fact that this flooring was (once upon a time) used by some farmer, somewhere, to separate his wheat and chaff - that's so rich.
Who could have imagined that when these floors were first crafted a hundred years ago, that they would live another life in a 21st-century home or museum? They have such an enduring quality. Like the objects I selected to lay over the planks, this flooring had humble beginnings. But over time, it's developed this kind of mysterious, timeless patina. This wood is a remnant from another time, and, yet, in it's own way, it's more intriguing than ever.
Special thanks to Tereasa Surratt and David Hernandez. You can learn more about Tereasa at her site. And you can learn more about Hudson Company Reclaimed Mixed Softwoods [Threshing Floor] here.
![Custom mood board by Tereasa Surratt, featuring Hudson Company Reclaimed Mixed Softwoods [Threshing Floor].](https://images.squarespace-cdn.com/content/v1/544e3a5ce4b0117bc5e24e56/1468410706030-9V9XPIWUR1BJDWVZ9H6V/image-asset.jpeg)
Custom mood board by Tereasa Surratt, featuring Hudson Company Reclaimed Mixed Softwoods [Threshing Floor].
Watch Giglio on White, a short film documenting the redevelopment of 60 White Street in New York.
“With this project, we are preserving history and the environment. We’re setting an example of the power that we all hold in deciding how to live.”
The historic floor joists inside 60 White Street.
Developer Veronica Mainetti of Sorgente Group of America has big dreams for the property her team is reclaiming at 60 White Street in TriBeCa.
"After unveiling these gorgeous buildings from all of the years of use and abuse," Mainetti says, "I find myself breathing with it for the first time. All of the rooms are emptied, revealing the incredible structure that it houses. This is the point of rebirth. This is where the bond really begins between the building and me. It is as if the energy is finally awakening for the first time in decades and one can truly feel the soul of these beauties."
As a fifth-generation member of the Mainetti family, Veronica Mainetti was named President of the Sorgente Group of America in 2004 and, under her stewardship, Sorgente continues to expand its US portfolio with key acquisitions in California and New York, where most of their landmark properties are located, including the iconic Flatiron Building.
With 60 White Street, Mainetti's passion is deeply personal, "The unique opportunity to preserve a piece of history is extremely rewarding and humbling for me, it is what I love most about my job. Bringing back these facades to their original state from 1869 will be an absolute honor."
At 147-years-old, the cast-iron building at 60 White Street is looking better than ever thanks to a painstaking three-year, sustainable restoration. The eight-unit condo conversion reused a whopping 80% of materials salvaged from the original structure and is kitted out with the latest passive house technologies (including a brand new class of window developed specifically by Zola for the project), as well as a blue roof rainwater collection system, an air-purifying green wall in the lobby, and radiant heat throughout the residences for comfort and energy-efficiency.
“Everything from day one has been about having this building perform in a smarter way,” explains Mainetti in the trailer for a documentary she produced to chronicle 60 White’s restoration. “Passive house windows set a new energy standard with modern technology. What doesn’t come from the existing structure is locally sourced.”
In addition to its impressive material reuse rate, the building was designed with a highly insulated envelope to keep energy usage to a minimum. European window company Zola developed a new class of 3-paned, passive house-certified windows for the project that keep drafts and noise out while staying true to the structure’s 1869 facade. The sumptuous marble that lines the bathrooms, kitchens and common areas was sourced locally at Vermont Danby Marble.
For the 60 White Street project, The Hudson Company has provided 18,000 square feet of high quality, high character Reclaimed Oak [Engineered, New Face]. Before being incorporated in the the 60 White Street project, this reclaimed wood material was redirected out of the waste stream and then custom milled at our FSC-certified mill in Pine Plains, New York. The rugged, natural textures of this Reclaimed Oak provide a rich complement to 60 White Street's salvaged brick walls, creating a warm and distinctive interior materials palette.
“The challenge is the convince others what a sustainable future really is,” says Mainetti. “With this project, we are preserving history and the environment. We’re setting an example of the power that we all hold in deciding how to live.”
Learn more about Hudson Company Reclaimed Flooring here and explore more about the 60 White Street development here.
Detail exterior shot at historic 60 White Street.
Developer Veronica Mainetti of Sorgente Group of America at The Hudson Company Mill.
Detail from the historic facade at 60 White Street.
*Some of the above editorial content has been sourced and repurposed from www.60white.com. All photos are still images taken from the film Giglio on White, copyright Sorgente Group of America and Two Penguins.
This past weekend, The Wall Street Journal Magazine published a lifestyle profile highlighting the exquisite SoHo residence of Michael and Alexandra Miszynski. The Miszynskis are the team behind Atelier AM, a bespoke Los Angeles interior design shop, much in demand by a wide range of elite clients - including Tom Cruise and other Hollywood notables.
In the profile, WSJ editor Sarah Medford offers readers a thoughtful insight into how Atelier AM has grown such a strong reputation in the design field:
Over the past 14 years, Atelier AM has become known for rooms that meld eye-catching antiques in settings that are both austere and deeply comfortable in a traditional sense. From the couple’s earliest days in business, when referrals to philanthropist Eli Broad and then–Disney CEO Michael Eisner jump-started their career, the Misczynskis have found clients who appreciate a bold approach, whether that translates into pristine cubes of concrete for the Greys or a raft of commanding Russian antiques like the ones they sourced a decade ago for Tom Cruise for a home in L.A...Atelier AM specializes in conjuring the effects of age in otherwise contemporary settings.
Having long been admirers of Atelier AM's work, we were thrilled to collaborate with Michael and Alexandra on their new New York residence and to provide the couple with the 2,000 square feet of ultra-rugged Reclaimed Oak Threshing Floor [Original Face] flooring for their renovated SoHO apartment.
Although similar to the Hudson Company's Reclaimed Mixed Oak floors, the Misczynskis wide plank, Reclaimed Oak flooring was a custom solution, developed especially to meet the client's unique specifications. Custom milled to a thickness of 1.25" and with a natural, unmilled plank edge (to give the flooring an extra raw aesthetic), each of these flooring planks were milled to a length of 8' 3" and installed in a contemporary single-length layout.
The end result is a floor that is at once an historic object as well as a functional part of a beautiful and modern urban home. It's a powerful contrast that works especially well to illustrate just what can happen when curated pieces of the past intersect with the best of today's design aesthetics.
Read the full story behind this inspiring couple and their extraordinary New York residence here. All photos by François Halard for The Wall Street Journal.
“That influence is fully in evidence in their SoHo loft, where rather aggressively ordinary walls and ceilings deflect attention onto floors of wide-plank reclaimed barn wood. “Rough floors take the preciousness out of antiques,” says Alex of the choice, a signature of Atelier AM’s work. “They make everything more approachable.”
All photos courtesy of 1 Hotel Central Park. Photos by Eric Laignel.
“Sustainability aside, the 1 Hotel Central Park appeals aesthetically: an inadvertent conservatory, a place to dive into nature right in the heart of the city.
”
The development team behind the new family of award-winning 1 Hotels (Manhattan, Brooklyn, and Miami) is driven by a passion for design and a commitment to authenticity and sustainability. At the heart of their vision for a new kind of hotel experience, is the intentional and creative use of 'natural materials.'
At 1 Hotels, it’s our intention to reconnect people with nature through good design and to do it sustainably. We’re constantly inspired by what we find in our environment and seek to bring the outside in...
One of the deeper intentions driving our design ethos is an idea that if you can create empathy or appreciation in things derived from nature, people are more likely to place more value on those objects. So by using natural materials, we hope to affect a change in the way people value nature.
Whether it be beetle kill pine in the halls of 1 Hotel South Beach, Reclaimed Redwood from nearby water towers for 1 Hotel Central Park, or living plants in each room, all have been placed there deliberately to engage the senses and bring our guests closer to the natural world.
Throughout the development of 1 Hotel Central Park, The Hudson Company worked closely with both the project designers AvroKO and the client to kit out 1 Hotel Central Park with a wide range of high-quality, high-character reclaimed wood flooring, paneling, and beams products, as well as several one-of-a-kind wood installation pieces (see photos above and below).
Included at the extraordinary new 1 Hotel Central Park is 50,000 square feet of 8" wide Select Harvest Oak [Silt Finish] flooring, 30,000 square feet of Reclaimed Barn Siding [Grey Board], 50 Reclaimed Hand Hewn Beams, 1,500 square feet of Reclaimed Redwood [NYC Water Tanks], 2,000 feet of Reclaimed Mixed Softwoods [Threshing Floor, Old Face], Reclaimed Travaux Maple [New Face, Chevron] flooring, and a custom finished, debarked Spalted Elm Stump.
To learn more about 1 Hotel Central Park, visit their official website. To learn more about how you can elevate your next design project with any of the Reclaimed wood products mentioned or show here, please contact us today.
All photos courtesy of 1 Hotel Central Park. Photos by Eric Laignel.
“We’ve designed our hotel and products to highlight the startling beauty of nature, fusing luxury with responsibility to create refreshing experiences. At 1, you’ll find open spaces bathed in natural light, food made with the freshest organic ingredients, and recycled and reclaimed wood and materials. By focusing on simple things that make life better, we’re introducing a new way to experience luxury living.”
All photos courtesy of 1 Hotel Central Park. Photos by Eric Laignel.
All photos taken from www.snedkerstudio.dk.
It's not every day that we stumble upon an artist or maker doing something truly innovative with wood flooring, but when we discovered the work of Copenhagen-based artist and craftswoman Pernille Snedker Hansen - we were totally floored.
The founder of Snedker Studio, Pernille specializes in custom, handcrafted wood surfaces and commissioned artworks. Her current work is defined by the use of colorful patterns and organic forms applied to both paper and wood flooring. By combining the random with the intentional - her work is at once whimsical and structured.
One admirer has described Pernille's work as, "immersive artworks" and we have to agree - by replicating the fluid, asymmetrical aesthetics of nature and combining those forms with the careful human touch of the artisan, Ms. Snedker Hansen is creating works that are both singular and inspiring.
Another perspective on the artist's work, from her own website:
"In search of visual phenomena in nature like structures of wood, grain, patterns of growth, Pernille Snedker Hansen sets out to experiment with techniques to imitate and magnify nature. Organic processes become scripts for the artist’s movements with her tools: water, numerous small bottles filled with various colors, wood, paper and a careful choice of colour combinations; combing through materialised occurrences like a colour drop spreading in the water basin, pushed away from its inner circle to the edge by the next drop falling into it. What happens is partly calculation, partly chance, loosing the artist’ hold on the process but at the same time being incredible aware and highly concentrated on the evolution of formation."
Our team is always on the lookout for creative makers who are pushing the boundary of what's possible in wood flooring design and Ms. Snedker Hansen certainly fits that description. We're especially smitten with her Refraction and Arch flooring installations. And while we can't wait to see what this inspiring artists comes up with next, there's plenty of Pernille's work out there to admire. Trust us, you want to dive into the full spectrum of her impressive and chromatic body of work.
You can learn more about Pernille at her official website and follow her inspiring posts on Instagram. All photos taken from www.snedkerstudio.dk.
The artist at work in her Copenhagen studio.
All photos taken from www.snedkerstudio.dk.
Opened in the spring of 2015, the extraordinary new Whitney Museum of American Art, designed by Renzo Piano Building Workshop and Cooper Robertson Architects, is New York City's newest architectural icon. And we're proud to have custom-milled the more than 65,000 square feet of Reclaimed Heart Pine wood flooring inside the new Whitney.
Congratulations to the entire Whitney team on a very special first year...we're wishing you many, many more to come.
