The Coast Installation Wins NYCxDesign Award

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Either / Or

Congratulations to Paul Chan, founder of The Coast, on his award-winning presentation at Collective Concept. Either / Or  won in the "made in the boroughs" category at the NYCxDesign Awards produced by Interior Design

The Coast showed a mischievous yet austere lighting series composed of three lamps for nightstands, tables and floors. An ensemble of silver translucent fabrics, dark fresco paint, and forged French oak flooring from The Hudson Company coalesced as an immersive backdrop for the light series.

The Coast is an architecture and design studio that creates buildings, environments and objects. With a profound belief in unexpected connections between forms, functions, materials and cultures, its projects are characterized by a genuine curiosity, always expansive, never limiting, to explore the in-between. We are pleased to have collaborated with Paul and The Coast.

Pure & Original
The Hudson Company

Join Us For Sitting Still, May 11 - 24


Join Us for Sitting Still May 11 -24 

We are excited to announce Sitting Still, a field study curated by designer Brad Ford of Field + Supply. This very special in-showroom exhibition will celebrate the age-old 'art of the chair' from May 11 - 24 at The Hudson Company Showroom and will be open to the public during the showroom's normal opening hours.

Celebrating The Art Of The Chair

Sitting Still will feature iconic chair designs by George Nakashima, Finn Juhl, Jim Zivic, Fern, Michael Robbins, PP Mobler, Overgaard & Dyrman, Furniture Marolles, Coil + Drift, Sawkille, Regeneration, Weinberg Modern, Rayon Roskar, David Ebner, BDDW, Fort Standard, Egg Collective, Asher Israelow, O&G, and Materia Designs.

A few thoughts from the exhibition curator, Brad Ford

"The concept for Sitting Still is all about slowing down - specifically during the crazy month of May when there are so many things happening. Despite all the incredible things that have been done with design over the years, the chair is still probably the most relevant piece of furniture in the home, the office, the kitchen, and the public space. For the special exhibition inside The Hudson Company's 20th Street showroom, we plan to bring together twenty beautifully handcrafted chairs from various eras that represent a continuity of basic purpose despite the ever-changing tide of taste, trend, and technology."

About The Event Curator 

Brad Ford is an interior designer based in New York City. With a highly edited vision and a strong hand, Brad has developed a spare, modern aesthetic with a warm soul. Originally from Russellville, Arkansas, he moved to Manhattan 22 years ago and established his own firm Brad Ford ID in 1998 with an emphasis on residential spaces. Clean lines and simple but well-crafted furnishings, with an attention to texture and the highest quality materials are Brad Ford ID essentials. “We create environments that complement and suit the lifestyle and personality of the client. Whether the room is formal or casual, traditional or modern, accessibility and comfort are a must." Brad is also the founder of the annual Field + Supply: A Modern Makers Craft Fair. 

More event Details To Come

Stay tuned to this blog and follow The Hudson Company on Instagram for the latest news about this special, limited engagement event.

The Holidays Come To Our Manhattan Showroom

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Upstate Makers On Display At The Hudson Company Showroom

Last weekend’s AndNorth Holiday Pop-Up at our Manhattan Showroom was a great success. Thanks to all the New York makers, artists, and craftspeople who participated in bringing their beautiful wares from Upstate New York to NYC. 

And, while the pop up shop has ended (for now),  The Hudson Company's new Manhattan Showroom is open to designers, architects, and homeowners each and every week: Monday - Wednesday 9-6, Thursdays 9-7, and Fridays 9-5.

Stop by for a chat with our team of custom flooring experts and let us help you with your next design project. 

Happy Holidays!

All photos by Nico Schinco.

Reclaiming An icon: Brooklyn's Domino Sugar Refinery

Domino Sugar Refinery Photos by  Paul Raphaelson.

Domino Sugar Refinery Photos by Paul Raphaelson.

Domino Sugar Refinery Photos by  Paul Raphaelson.

Domino Sugar Refinery Photos by Paul Raphaelson.

Domino Sugar Refinery Photos by  Paul Raphaelson.

Domino Sugar Refinery Photos by Paul Raphaelson.

Reclaiming An Icon

Recently, The Hudson Company was honored to be selected to custom mill 45,000 board feet of Reclaimed Heart Pine Beams and Mixed Softwood Decking salvaged from Williamsburg's historic Domino Sugar Refinery. Rich in over a century of colorful history (the factory complex was built in the 1880s and was once the largest of its kind in the world), the riverfront Domino facility was an icon of the Williamsburg skyline for more than a century. And although the refinery is now gone, much of the grand old icon of New York's industrial past is being preserved in an innovative and sustainably-minded way.

After being salvaged by Brooklyn-based developers Two Trees, the reclaimed wood from the Domino facility was transported to our Pine Plains, NY mill to be de-nailed, graded, planed, and profiled for use as park benches, furniture, and other on site décor for the buildings and park structures that will replace the old factory (exciting details and timelines for the Domino Redevelopment Project can be found here). 

Now that much of the original manufacturing facility is gone, Two Trees, along with SHoP Architects and James Corner Field Operations, have developed a vision for the future that preserves a number of relics from the historic Domino complex: including two 80-foot tall historic cranes, large cylindrical syrup cranes, and more than twenty stone columns from facility's warehouse. Along with the new luxury and affordable housing units being built on the site of the old Domino complex, the developers are executing a master plan that includes community-focused gardens, public parks, playgrounds and sports fields.

Stay tuned to in the coming months, where we will be sharing more about our involvement in this exciting development, including imagery and details on how the reclaimed wood from inside the Domino factory is put to use in the Domino Redevelopment Project.

In the meantime, you can learn more about Two Trees here, more about SHoP Architects here, more about James Corner Field Operations here, and see more of Paul Raphaelson's pre-demolition Domino Sugar Refinery photos here.

Domino Redevelopment renderings by  Two Trees Management.

Domino Redevelopment renderings by Two Trees Management.

Domino Redevelopment renderings by T wo Trees Management.

Domino Redevelopment renderings by Two Trees Management.

Domino Redevelopment renderings by  Two Trees Management.

Domino Redevelopment renderings by Two Trees Management.

Product In Focus: Select Harvest White Oak [Barley Finish]

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The Hudson Company's Select Harvest White Oak [Barley Finish], shown above as installed in New York's exclusive Spice Warehouse, celebrates the rustic nature of White Oak and is inclusive of knots, sap wood, and grain variation. The material's grain structure invites penetrating stains or can be fumed to create a warm walnut-like tonality. Our Select Harvest White Oak [Barley Finish] floors are pre-finished with a low-VOC finish.

Specifications: 3/4" x 4-8" x 3-14'. Tongue & Groove. End Matched. Micro-Beveled. New Face. Solid or Engineered. Pre-finished.

Learn more or get a quote for your next project here.

Renzo Piano On The Vision Behind The New Whitney Museum

In this short but insightful video for Architectural Record, architect Renzo Piano discusses his firm's creative problem-solving process and the importance of the structural 'spine' of the new Whitney Museum of American Art. 

Click here to learn more about The Hudson Company's collaboration with Renzo Piano Building Workshop for new The Whitney Museum in NYC.

Crafting The Whitney Floors | Part 3

Writing for The Wall Street Journal, Kelly Crow notes that the design of art museums has traditionally fallen within two camps: classicism or stark modernity.

Historically, collectors encouraged museums to create spaces that resembled cultural temples, with classical columns and ornate crown moulding to match the significance of the objects on display. In recent decades, many museums and galleries favored an architecture of stark white-cube rooms with walls treated in sleek, modern finishes...
[Yet] when the Whitney began considering designs more than a decade ago, Adam Weinberg, the director, said he asked architects for the exact opposite.

Ms. Crow goes on to describe how the new Whitney Museum of American Art is a museum, 'designed to wow artists as much as audiences.' In her piece on the new Renzo Piano designed museum, Crow outlines Mr. Piano's intentions for the Whitney to be a new kind of museum - one that invites curators and artists alike to be flexible, innovative, even playful:

'...the 84-year-old [Whitney] museum is changing far more than its address...
The new building’s nearly 50,000 square feet of gallery floors will be made of neither trendy concrete nor lavish marble. Instead, Whitney officials chose reclaimed Heart Pine from former area factories, so artists could hammer nails into it or tear up small sections if needed. (The museum has a cache of extra planks in case anyone does.)
A lattice-like grid on the ceiling of the main gallery means artists won’t have to cut through drywall to suspend their work. That 18,200-square-foot room has no columns, making it the largest museum gallery in New York City with uninterrupted views.”

Donna De Salvo, the museum's chief curator, told ABC News that, 'artists will be inspired by the new spaces and will "reinvent them over and over again." They're tailored to the needs of how artists — and curators — work, she said. Floors throughout are sprung, allowing for both performance and installations. Open-grid ceilings permit walls and art to be arranged into multitude configurations.'

In crafting the over 50,000 square feet of Reclaimed Heart Pine flooring for the new Whitney Museum, The Hudson Company is honored to be a part of this landmark of innovative, contextual, and culturally-significant architecture.

The industrial history of the Reclaimed Heart Pine floors (sourced from decommissioned American factories) supports the Whitney’s mission to create a space that Director Weinberg calls, 'rough and ready' artist’s canvas.  The nature and dimensions of the Reclaimed Heart Pine flooring, along with it's intentionally flexible profile, allows for the floors, like so much at the new Whitney, to be modified to best fit the needs of the museum, artists, and audiences using the space. 

Click for more details about The Hudson Company Reclaimed Heart Pine [Chalk Finish] flooring featured throughout the new Whitney Museum of American Art.

Click to learn more about The Hudson Company + Whitney Museum Design Installation.

Click to watch the new Hudson Company Video.

Detail of Reclaimed Heart Pine [Chalk Finish] installed at new Whitney site.

Detail of Reclaimed Heart Pine [Chalk Finish] installed at new Whitney site.

Floor during install.

Floor during install.

Floor Install, NYC Skyline in the background.

Floor Install, NYC Skyline in the background.

Flooring Install, during finishing.

Flooring Install, during finishing.

Whitney floor, during install.

Whitney floor, during install.

All Installation Photos by Martin Hyers of Gentyl&Hyers Photography for The Hudson Company. Cover photo by Max Touhey for