This week, the good people at Inhabit did an in-depth profile on our collaboration with The Corcoran Group for this stunning New York townhouse at North 1st Street. Read Alex Ronan's story outlining how this extraordinary, one of a kind property came to life.
The Inhabit story is here. More information about our Reclaimed Heart Pine floors is here.
We are thrilled to share that our very own Reclaimed Heart Pine [Original Face] floors are featured in Samantha Emmerling and Hillary Brown's article 'Toolbox' in the newest issue of ELLE DECOR Magazine (April, 2016), on newsstands now.
Reclaimed Heart Pine [Original Face] Flooring is one of our most popular and versatile reclaimed wood flooring products and has found a place in design installations of all kinds, including two New York retail spaces for outdoor mega-brand Patagonia (see both stores below).
Reclaimed Antique Long Leaf Heart Pine wood is sourced from Hudson River Valley factories and warehouses whose construction dates back to the Industrial Revolution. Reclaimed Longleaf Heart Pine wood was once a predominant standing timber across a large span of the eastern seaboard. For generations, Long Leaf Heart Pine's prevalence and unique properties made it the most widely-utilized timber in American construction.
Today, The Hudson Company is always on the lookout of high-quality, high-character Heart Pine to reclaim, custom mill, and re-introduce to designers and architects for use in their next projects.
Learn more about the full range of Hudson Company Reclaimed wood floors (including six varieties of Reclaimed Heart Pine) on our Reclaimed Flooring Page.
The Patagonia Store, Meatpacking District, NYC
Patagonia Surf Shop, New York.
Artist Bryan Nash Gill working on 'The Ming' at The Hudson Company's Brooklyn Showroom, April 2013.
Simple. Direct. Resonant. If there was ever an artist and craftsman whose work was powerful through its simplicity - it was prolific sculptor, painter, and printmaker Bryan Nash Gill (1961 - 2013).
For three days in April 2013, The Hudson Company was proud to collaborate with and host Bryan in our Brooklyn showroom, where he created the extraordinary ‘Ming’ duo-tone woodcut print. At sixteen feet in length, the ‘Ming’ became not only Bryan’s largest ever woodcut print, but also the last print he would make before his unexpected death in May of that year.
This unique collaboration was born after The Hudson Company acquired a hardwood beam originating from a temple from the Ming Dynasty of China (14th - 17th centuries). As long time admirers of Bryan’s work, we wondered what stories he might be able to draw out of such a venerable artifact; what history the grain and knots of the ancient beam could reveal?
With his signature passion for exploration, Bryan applied his creative process to the ‘Ming’ project with a childlike excitement. During those three days, Bryan described what drove him to continually experiment and develop his craft: ‘...it’s a process of discovery, a process of learning, a process of putting yourself on the edge and kind of having the courage to go forth and see what happens, and learn from the process.’
At the end of his three days of ‘discovery’ at The Hudson Company showroom, Bryan produced a large-scale print that is both beautiful and surprising. Far removed from its place and era and utility of origin, ‘The Ming’ shows us a new perspective on the patterns of life encapsulated in the lines and layers of wood. Like a massive fingerprint from a distant time and place, ‘The Ming,’ like all of Bryan’s woodcuts, draws viewers into the very heart of wood - past it’s surface and color and hardness - to the nucleus of it’s identity.
Steven Holmes describes the woodcuts of Bryan Nash Gill as a way to, ‘participate in historically anchored beauty,’ by understanding wood, ‘not as an object, but as a verb.’ Today, ‘The Ming’ hangs proudly in The Hudson Company showroom as a symbol of the new perspectives that can be gained from reimagining historical artifacts. It hangs as a tribute to our friend Bryan. It hangs as an example of beautiful craftsmanship and innovative vision. It hangs as a reminder of the resonance that comes from simple beauty found in the way things are.
Watch the video below to see Bryan at work on The Ming in The Hudson Company's Brooklyn Showroom, in April 2013.
