design

The Hudson Company on the High Line

 
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New York’s High Line is renowned as a botanical oasis in the middle of the busy, formerly gritty neighborhood of West Chelsea. With plantings thoughtfully chosen by Dutch landscape architect Piet Oudolf, the elevated park is home to over 120 species: coneflowers, sumac, grasses and birch trees, to name just a few. Some are native to the region, and some are exotic. But plant diversity on the High Line isn’t restricted to the living specimens that make it lush and green. Thanks to the success of The Hudson Company’s wood-sourcing trip to India in 2017, there is teak to be found on the High Line in benches, steps, seating and furniture. The journey of this wood from a teak forest somewhere in Southeast Asia centuries ago, to exquisite buildings in Hyderabad’s old Muslim quarter, to New York City’s High Line illustrates how architectural preservation—even the accidental kind—can give materials a second life when they’re salvaged sustainably. 

Teak, known to botanists as tectona grandis, evolved for harsh conditions, which is why it’s long been a popular choice for decking material, outdoor furniture, and boats. It’s native to the hot, tropical climates of India, Malaysia, Thailand, Bangladesh, Indonesia and Sri Lanka, and it’s cultivated in parts of Africa and the Caribbean, but half the world’s naturally occuring teak comes from Myanmar. Teak is a hardwood with a high oil content and tight grain, which gives it great tensile strength and a natural resistance to weather. It’s so strong, in fact, that it can wear out metal tooling and blades over time. It’s also very insect-resistant, and tends to be impervious to termite infestations. All of these qualities have led architects and builders in tropical climates to choose teak for centuries, using it to construct doors, beams, wall panels, and floors. Intricately carved screens and pilasters made from teak can be found in buildings throughout Southeast Asia.

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One of the great places to source vintage teak wood elements today is Hyderabad, India. Today, Hyderabad is widely known as one of India’s largest high tech centers (it’s nickname: Cyberabad) and travelers who visit on business are likely to spend most of their time in the city’s modern downtown, which is full of glass and steel high-rises. But old Hyderabad is a treasure trove of historic temples, mosques and houses dating from the 16th century, including Golconda Fort, a former center for the diamond trade and the capital of the Qutb Shahi dynasty. Hyderabad’s historic architecture is distinct, with elements of Hindu and Muslim styles reflecting its complex cultural heritgage. 

Buildings from the 16th and early 17th centuries built during the Qutb Shahi period drew design elements from Persian architecture, with domes and soaring arches. At the beginning of the 18th century, Mughal rulers were responsible for building Hyderabad’s city wall. The families of the Nizam dynasty, which followed the Mughal era and ruled Hyderabad from 1724-1948, built palaces in an increasingly European style, because they ruled as vassals of the British Empire. All of these successive dynasties in Hyderabad represented a mix of different cultures and religions, and as with much of India—and multi-ethnic cities around the world—various populations tended to remain in their enclaves.

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Because it resisted westernization and modernization in the latter part of British period, the largely Muslim older sections of Hyderabad tended to remain intact, if a bit down at the heels. This meant that much of the historic architecture escaped the rush of bulldozing and new construction that has transformed the city’s modern, high-tech center, and remains a key source of beautiful old teak wood. When The Hudson Company visited, we made trips to two sites where well-preserved teak can be found. Demolition in the old city yielded boards as long as 22 feet, some dating back to the 17th century or even earlier. Then we worked with an aggregator who organizes auctions of antique beams, boards, doors, and exterior elements. Ultimately, we gathered 10,000 BF (that’s one shipping container’s worth) of teak, and sent it to our facility in Pine Plains where it was milled. We worked with Friends of the High Line and Sciame Construction to source the wood and find what was needed to craft seating, steps, and other design elements. It’s gratifying to see that these pieces of antique timber, which grew centuries ago in India or elsewhere in Southeast Asia, survived long enough in the buildings of old Hyderabad to be harvested and given a second act in New York City. Visitors may not know the wood’s story, but they can admire its natural beauty and appreciate its impressive weather-resistance on a blustery New York day.

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The Hudson Company featured in the nyt

 
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Elizabeth Roberts, and architect based in Brooklyn, NY., installed natural-looking white-oak flooring from The Hudson Company in the kitchen of a TriBeCa home.  Photo by Kyle Knodell

Elizabeth Roberts, and architect based in Brooklyn, NY., installed natural-looking white-oak flooring from The Hudson Company in the kitchen of a TriBeCa home.
Photo by Kyle Knodell

A house by Di Biase Filkoff Architects in Millbrook, NY., live-sawn white oak floors with plenty of character, from The Hudson Company. Photo by Gentl and Hyers.

A house by Di Biase Filkoff Architects in Millbrook, NY., live-sawn white oak floors with plenty of character, from The Hudson Company. Photo by Gentl and Hyers.

In a farmhouse in Dutchess County, NY., Larson Architecture Works installed reclaimed heart-pine flooring from The Hudson Company. Photo by William Cole.

In a farmhouse in Dutchess County, NY., Larson Architecture Works installed reclaimed heart-pine flooring from The Hudson Company. Photo by William Cole.

 

“The floor is the base upon which all other decisions are built.”

- Tim McKeough, NYT

 
A house by Roger Ferris and Partners in Bridgehampton, NY., has flat-sawn white oak floors by The Hudson Company. Photo by Gentl and Hyers.

A house by Roger Ferris and Partners in Bridgehampton, NY., has flat-sawn white oak floors by The Hudson Company. Photo by Gentl and Hyers.


Design writer and New York Times contributor, Tim McKeough, writes about the complex decisions that face renovators when it comes to choosing the right kind of hardwood flooring. The Hudson Company founder Jamie Hammel is quoted extensively in the piece, on the topics of grain appearance (“tiger stripes” and “cathedral pattern”), lumber grading, which classifies pieces of wood according to how many or few knots they have, the difference between solid and engineered wood, and the pros and cons of various finishes. 

The article will appear in the print edition of the New York Times on January 12th.

Read the full article here

Ridgefield Showroom Profile In Architectural Digest

Profile Excerpt from Architectural Digest, Dec 13, 2018

“When Jamie Hammel bought what was then known as Antique and Vintage Woods of America eight years ago, he recalls, "I thought the product was beautiful, but it wasn't being presented beautifully." Fast forward nearly a decade and Hammel is operating what is now The Hudson Company, providing new and salvaged wood surfaces to architects and designers for projects (including, most notably, Renzo Piano's Whitney Museum) in the New York area and beyond. And his latest showroom is proof that beautiful presentation is core to the brand.

The Hudson Company's third location is in a woodsy area of Ridgefield, Connecticut. "So many of our clients co-locate between the city and a house upstate or in Connecticut or the Hamptons," Hammel explains of the choice. "We have the mill, in Pine Plains, so that helps us cover that territory, but we didn't really have a presence in Connecticut. Ridgefield is a beautiful town and is not in the heart of Greenwich." He clarifies: "Being on Greenwich Avenue would feel just like our Manhattan showroom. This is a little bit off the beaten path, but it's central to both Westchester and Connecticut."“

Read The Full Article and Go Behind The Scenes

Click here to read the full article in Architectural Digest, featuring interviews with The Hudson Company’s Jamie Hammel and designer Brad ford. Story by Hadley Keller, photos by Michael Biondo.

The Hudson Company In The Wall Street Journal

From the Wall Street Journal homepage, Dec 17. Project photos by François Coquerel for the Wall Street Journal. Click the image to read the full profile.

From the Wall Street Journal homepage, Dec 17. Project photos by François Coquerel for the Wall Street Journal. Click the image to read the full profile.

A Modern NY Farmhouse Designed by Architect Tom Kundig

We are thrilled to see our recent work for the Millerton, NY home of Daniel and Estrellita Brodsky, designed by Tom Kundig of Olson Kundig Architects, featured in the Wall Street Journal this week.

Read the profile article by Sarah Medford online here.

Project and Press Details

- Project Location:  Millerton, NY

- Architect: Olson Kundig

- Contractor: United Construction

- WSJ Magazine story by Sarah Medford

- Photographer:  François Coquerel

- Featured Hudson Company Materials:  Reclaimed Barn Siding and Reclaimed Oak flooring.

— More photos and project details to come.

Hudson Company Product Installations

To see more commercial, residential, and cultural design installations featuring Hudson Company wood products, visit our online installation gallery.

The Coast Installation Wins NYCxDesign Award

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Either / Or

Congratulations to Paul Chan, founder of The Coast, on his award-winning presentation at Collective Concept. Either / Or  won in the "made in the boroughs" category at the NYCxDesign Awards produced by Interior Design

The Coast showed a mischievous yet austere lighting series composed of three lamps for nightstands, tables and floors. An ensemble of silver translucent fabrics, dark fresco paint, and forged French oak flooring from The Hudson Company coalesced as an immersive backdrop for the light series.

The Coast is an architecture and design studio that creates buildings, environments and objects. With a profound belief in unexpected connections between forms, functions, materials and cultures, its projects are characterized by a genuine curiosity, always expansive, never limiting, to explore the in-between. We are pleased to have collaborated with Paul and The Coast.

Sponsors
Pure & Original
The Hudson Company

Join Us For Sitting Still, May 11 - 24

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Join Us for Sitting Still May 11 -24 

We are excited to announce Sitting Still, a field study curated by designer Brad Ford of Field + Supply. This very special in-showroom exhibition will celebrate the age-old 'art of the chair' from May 11 - 24 at The Hudson Company Showroom and will be open to the public during the showroom's normal opening hours.

Celebrating The Art Of The Chair

Sitting Still will feature iconic chair designs by George Nakashima, Finn Juhl, Jim Zivic, Fern, Michael Robbins, PP Mobler, Overgaard & Dyrman, Furniture Marolles, Coil + Drift, Sawkille, Regeneration, Weinberg Modern, Rayon Roskar, David Ebner, BDDW, Fort Standard, Egg Collective, Asher Israelow, O&G, and Materia Designs.

A few thoughts from the exhibition curator, Brad Ford

"The concept for Sitting Still is all about slowing down - specifically during the crazy month of May when there are so many things happening. Despite all the incredible things that have been done with design over the years, the chair is still probably the most relevant piece of furniture in the home, the office, the kitchen, and the public space. For the special exhibition inside The Hudson Company's 20th Street showroom, we plan to bring together twenty beautifully handcrafted chairs from various eras that represent a continuity of basic purpose despite the ever-changing tide of taste, trend, and technology."

About The Event Curator 

Brad Ford is an interior designer based in New York City. With a highly edited vision and a strong hand, Brad has developed a spare, modern aesthetic with a warm soul. Originally from Russellville, Arkansas, he moved to Manhattan 22 years ago and established his own firm Brad Ford ID in 1998 with an emphasis on residential spaces. Clean lines and simple but well-crafted furnishings, with an attention to texture and the highest quality materials are Brad Ford ID essentials. “We create environments that complement and suit the lifestyle and personality of the client. Whether the room is formal or casual, traditional or modern, accessibility and comfort are a must." Brad is also the founder of the annual Field + Supply: A Modern Makers Craft Fair. 

More event Details To Come

Stay tuned to this blog and follow The Hudson Company on Instagram for the latest news about this special, limited engagement event.

Installation In Focus: 1 Hotel Central Park, NYC

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1 Hotel Central Park: A Different Kind of Hotel

Starwood Hotel Group has long been a leader in high design and luxury hospitality around the world. With their new line of 1 Hotels (Manhattan, South Beach, and Brooklyn), Starwood is again bringing design to the forefront of the hotel experience — now with an elevated emphasis on sustainability, authenticity, and the beauty of nature. The development of 1 Hotel Central Park started with a broad concept. According to Starwood CEO Barry Sternlicht: “The world around us is beautiful and we want to do our best to keep it that way. We want to make an impact by reinventing the industry standard for socially responsible hospitality. We want 1 to be a different type of hotel.”

Located at the corner of 58th Street and Sixth Avenue, 1 Hotel Central Park is just one block south — only 100 steps, in fact — from Central Park. And like Central Park itself, the idea behind 1 Hotel was to create a retreat within the city where guests could escape and refresh. New York-based firm AvroKO developed the design for this innovative, 229-room, 110,000-square-foot urban oasis and, from the beginning, meticulously pursued the use of sustainable materials and locally sourced building solutions. The design team worked to complement the building’s existing structure (including exposed concrete ceilings and floors, steel columns and beams, and terracotta block walls) by utilizing materials to enhance the authentic feel of the hotel, including locally made furniture, handmade textiles, and a wealth of indoor greenery (24,000 indoor plants!).

A Diverse Spectrum of Custom-Milled Wood Surfaces

Among the wide range of natural and local materials incorporated into AvroKO’s designs for 1 Hotel Central Park is a diverse spectrum of Hudson Company wood products — from reclaimed flooring and paneling, to historic hand-hewn beams and one-of-a-kind custom statement pieces. Through close collaboration with The Hudson Company, AvroKO was able to incorporate a range of unique wood surfaces that reinforce the hotel’s strong design concept and its goal of “bringing the outside in.” From the hotel’s street-level entrance and lobby spaces, to the guest rooms, fitness center, and presidential suites, a variety of carefully selected Hudson Company wood surfaces can be found throughout 1 Hotel Central Park. The surfaces include 50,000 square feet of Hudson Company Silt flooring, 30,000 square feet of Reclaimed Barn Siding, 50 Reclaimed Hand-Hewn Beams, Reclaimed Gym Flooring (salvaged from the old University of Wisconsin basketball court), Reclaimed Redwood (sourced from retired NYC water tanks), Reclaimed Threshing Floor, Reclaimed Travaux Maple flooring, and a custom-finished, debarked Spalted Elm Stump in the hotel’s lobby.

A Hotel Unlike Any Other in New York

"The natural and local materials emerged as the heart of the design, allowing us to celebrate and enhance their inherent richness with minimal touches, including a warm color palette and atmospheric lighting,” says AvroKO principal Greg Bradshaw. “Our goal was to leave the space feeling somewhat unadorned so the materials and core of the space could speak for itself." All of this careful material sourcing and eco-minded design makes 1 Hotel Central Park a boutique hotel unlike any other in New York City — one that brings the outside in, provides a unique parkside respite for travellers, and, as Ann Abel at Forbes put so well, “feels alive in a way that few others do.”

>> This installation profile originally appeared in The Hudson Company Journal, Volume 2 - click to learn more about our new print journal and catalogue.

>> See more photos and product details from this design installation.

Installation In Focus: Willow Street

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We wanted the space to be a balance of contrasts, open and airy yet respectful of the rooms expected in townhouse living; modern lines and materials, but respecting the character of the house and neighborhood; natural but polished; unique and creative, yet timeless and universal.
— Damian Zunino, Studio DB
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Transformation In Brooklyn Heights

Well known for its tree-lined streets and well-preserved antebellum townhouses, Brooklyn Heights is one of New York City’s most charming neighborhoods. At the very heart of this historic district is the 1834 brownstone on the corner of Willow and Middagh Street. Originally built in a Greek Revival Style, 15 Willow once belonged to the Franciscan Sisters of the Poor but, in 2016, was transformed into a single-family residence — a transformation that required a nuanced balance of innovation and preservation. The development and design team behind the renovation at 15 Willow Street project was Studio DB, led by the firm’s husband-and-wife principals Damian and Britt Zunino.

Damian explains how, as the team endeavored to modernize the 6,400-square-foot, five-bedroom townhouse, their goal was to create a balance of contrasts. “We wanted the space to be open and airy, yet respectful of the kind of interiors expected in townhouse living, [with] modern lines and materials that honored the historic character of both the house and the neighborhood.”

The choice of flooring was central to the architects’ goal of honoring the past while simultaneously integrating modern lines and materials. “We had a vision of how we wanted the floors to feel, so we reached out to The Hudson Company at the very beginning of the process. There was a specific walnut floor we were looking for — we wanted something that felt natural but still had a lot of character, and we knew The Hudson Company could produce this kind of flooring for us.”

Through close collaboration with the Studio DB team, The Hudson Company custom-milled 3,000 square feet of 5” Walnut plank and 1,000 square feet of 5” Herringbone plank for the project.“The new floors feel light but still raw,” Zunino says. “The finish brings a timeless, polished aesthetic to the house’s interior.”

The installation profile originally appeared in The Hudson Company Journal, Volume 2. Read more or learn how to get your physical copy of The Journal here.

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Inspired By: LAND

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LAND artists and designers Caleb Owen Everitt and Ryan Rhodes.

LAND artists and designers Caleb Owen Everitt and Ryan Rhodes.

LAND: Transcending Style and time

Austin, Texas based design studio LAND is a hard act to categorize.

A team that clearly thrives on rethinking what it means to be a 'designer' in the 21st century, LAND creates a unique body of work in a wide variety of medias - from hand-drawn graphics, to linocut prints, to textiles and metalwork, brand campaigns for both digital and print, and, now, LAND even has their own line of limited-edition clothing.

In their own words, LAND is, "[A] house of art, design and thought: a collaboration between American artists and designers, Caleb Owen Everitt and Ryan Rhodes. Through an exploration of typography, iconography, and arrangement of materials, we demonstrate a way of working that transcends a style or time with regard to the art of communication."

Honesty through Imperfection

What inspires us most about this dynamic design duo is their collaborative process and their strong emphasis on how the imperfections of handmade art can bring an honesty and originality to modern graphic design and branding.

Caleb and Ryan have described art as the main source of their inspiration, with their 'sweet spot' being the process of blurring art with design to bring 'feeling' into each of their projects.  When asked about the difference between 'art' and 'design,' the LAND creatives have developed an answer that is both simple and profound, 'art is selfish, design is accommodating.' 

Reclaiming The Past, Always Moving Forward

In an interview with Urban Outfitters, LAND described their process of looking to the past for inspiration in their work: "Most of the type we create is hand done or inspired by historical typography. From old books and signs to hobo scribbles, type that was created by a hand or a machine just feels better than a more modern, digital font. It's more fun to create something custom, or that feels like it came from a real place before you and I were born and will be here after we're dead."

Past LAND Clients Include: Ace Hotel, Deus Ex Machina, Falcon Motorcycles, Levi's, Monster Children, Nike, Patagonia, Poler, Stag Provisions, West America, Woolrich. You can see a longer list here.

Special thanks to LAND for the use of their imagery. All art and design work is the (C) property of www.workbyland.com. Used here with permission.

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At work in the LAND Studio. Photo by Chelsea Fullerton for Urban Outfitters.

At work in the LAND Studio. Photo by Chelsea Fullerton for Urban Outfitters.

At work in the LAND studio, Austin, Texas. Photo by Bill Sallans.

At work in the LAND studio, Austin, Texas. Photo by Bill Sallans.

At work in the LAND studio, Austin, Texas. Photo by Bill Sallans.

At work in the LAND studio, Austin, Texas. Photo by Bill Sallans.

Taking a break in the LAND studio, Austin, Texas. Photo by Bill Sallans.

Taking a break in the LAND studio, Austin, Texas. Photo by Bill Sallans.

Installation In Focus: Mitchell's Lane

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Flat Sawn White Oak Floors At Mitchell's Lane Residence

Our custom Flat Sawn White Oak is milled to minimize waste and to accentuate arching, cathedral grain. This cut includes edge sap, tight knots, and grain variation. Learn more about this versatile flooring product here.

Photos above and below are from the award winning Mitchell's Lane residential installation (also known as 'Grove House'), designed by Roger Ferris + Partners. A few notes about the project design, taken from the architect's website:

This private residence was designed as an immersive yet modern natural retreat, providing connections to the surrounding landscape via planes of glass that interrupt a series of solid forms. Two of the volumes are delicately connected and sectioned off by a glass breezeway, housing the public and private living spaces of the home. A third volume stands alone, housing an artist studio on the second floor overlooking the rural landscape on which the home is set. Each of the three simple gable-shaped volumes are covered in the same natural rain screen wood material, that will gradually weather as the volumes fade into their natural surroundings.

Learn more about our Flat Sawn White Oak  here and see more from this design installation here.
 

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